Meet the Cast of "A Christmas Carol": James Carpenter

-
Meet James Carpenter, who plays Ebenezer Scrooge in A Christmas Carol.

Jim Carpenter
A Christmas Carol continues through December 24.
Learn more about the production and order tickets.
How many times have you been in A Christmas Carol?
I’ve been in A Christmas Carol nine times, including understudying the Dennis Powers and Laird Williamson version A.C.T. produced from 1976 to 2005. I’ve played Scrooge during all nine runs.

 What's your favorite thing about San Francisco during the holidays?
The street life.

 What is your favorite Christmas carol?
“O Come, O Come Emmanuel”

 What are your favorite holiday traditions?
Sharing of food. I drink a lot.

 What is the best gift you've ever given or received?
My wife (received).

 What is your favorite moment in A Christmas Carol?
The final moments.

 Who is your favorite character in A Christmas Carol?
Um . . . Scrooge? Do I really have to explain? Mrs. Dilber and Mr. Fezziwig are tied for second place.

 What do you want for the holidays this year?
A new car would be really nice . . .


Related Posts

Monday, December 17, 2012
Meet the Cast of "A Christmas Carol": Evelyn Ongpin

Monday, December 12, 2012
Meet the Cast of "A Christmas Carol": Raymond Castelán

Monday, December 10, 2012
Meet the Cast of "A Christmas Carol": Ken Ruta

Saturday, December 8, 2012
Meet the Cast of "A Christmas Carol": Seth Weinfield

Thursday, December 6, 2012
Meet the Cast of "A Christmas Carol": Carmen Steele


Location: San Francisco, CA, USA

Popular posts from this blog

“To Be or Not to Be”: The Iconic Speech’s Origins, Interpretations, and Impact

-
Image
By A.C.T. Publications Staff The opening line of Hamlet ’s “To be or not to be” soliloquy is theater’s most iconic, most referenced quote. What’s less known is the famous speech’s history, with Hamlet ’s earliest publications offering varying versions of its language. Also questioned is its meaning—is Hamlet contemplating suicide or is he weighing the consequences of murder? Though definitive answers are unlikely to arise, the questions “To be or not to be” asks have kept audiences, scholars, and actors engaged for centuries. Hamlet ’ s "To be or not to be" speech as it appears in the three original editions of the play. Photo by Georgelazenby. Courtesy Wikimedia Commons. The first edition, or First Quarto (Q1), of Hamlet was published in 1603. Because the text is much shorter than later editions and its language is less poetic, it is nicknamed the “Bad Quarto” by scholars. “To be or not to be” in Q1 reads as: To be, or not to be—ay, there’s the point. To die,
Read more

The American Sound: The Evolution of Jazz

-
Image
By Cecilia Padilla There is nothing so uniquely American as jazz music. In its simplest form, jazz embodies the essence of the American people: bold and inventive. The improvisation of the jazz ensemble can even be seen as a metaphor for the American democratic ideal: musicians playing solos have the liberty to express themselves as long as they adhere to the overall structure of the tune—individual freedom but with responsibility to the group. The evolution of jazz music also carries with it the social development of our nation from slavery to the swinging songs of World War II. Musically, jazz contributed immensely to the way contemporary musicians approach instrumentation, composition, and vocal arrangements. It is difficult to find a popular tune today that does not derive from such jazz icons as Joe Oliver, Louis Armstrong, Duke Ellington, and Thelonious Monk. Jazz is the great equalizer; for more than a hundred years, it has been the common ground between blacks and whites, me
Read more

A Hell of a Businessman: A Biography of Joe Glaser

-
By Simon Hodgson Born in 1897, Joe Glaser was the son of a successful Russian Jewish physician in Chicago. He originally intended to follow a similar career and entered medical school, but after passing out in the operating room, he realized he wasn’t cut out to be a doctor. He started off in business selling used cars, but found better luck managing prizefighters. In his biography of Al Capone, Laurence Bergreen notes, “Glaser’s power to fix fights earned him a reputation as a sage of boxing, especially among reporters.” With advanced word as to which fights were fixed, Glaser could predict the results—and even the number of rounds—of many bouts in Chicago. His connections with organized crime continued in his next career change, when he began running nightclubs and whorehouses in the South Side for the Chicago Outfit, the powerful underworld gang led by Capone. Glaser’s tendency toward illegal action nearly ended his career. In 1928, he was sentenced to ten years in prison for
Read more