Meet the Cast of "A Christmas Carol": Raymond Castelán

-
Meet Raymond Castelán, who plays Young Scrooge in A Christmas Carol.


Raymond Castelán
A Christmas Carol continues through December 24.
Learn more about the production and order tickets.
How many times have you been in A Christmas Carol?
This is my first time in A Christmas Carol and my first time on The Geary stage.

 What's your favorite thing about San Francisco during the holidays?
Ice skating in Union Square with the tree and Macy’s windows all lit up.

 What is your favorite Christmas carol?
“Oh Holy Night”

 What are your favorite holiday traditions?
On Christmas Eve everyone goes over to my parents’ house and we make tamales together. It’s an all-day process that begins with breakfast and Christmas carols on the radio all day and ends with opening presents at midnight.

 What is the best gift you've ever given or received?
It’s become a tradition for my folks to get me and my siblings flannel p.j.’s for Christmas Eve each year—so comfy after a long day in those crisp Central Valley winters.

 What is your favorite moment in A Christmas Carol?
I like watching the Boy Scrooge sequence. It is really nice to be reminded where Scrooge comes from and to see him with his little sister.

 Who is your favorite character in A Christmas Carol? Why?
Oh, there are so many great characters in this story but I am really fond of Sharon Lockwood’s Mrs. Dilber and Jarion Monroe’s Mr. Fezziwig.

 What do you want for the holidays this year?
I haven’t been home for about six months so I’m just looking forward to making it home by December 25 and having some of my mother’s cooking.


Related Posts

Monday, December 10, 2012
Meet the Cast of "A Christmas Carol": Ken Ruta

Saturday, December 8, 2012
Meet the Cast of "A Christmas Carol": Seth Weinfield

Thursday, December 6, 2012
Meet the Cast of "A Christmas Carol": Carmen Steele


Location: San Francisco, CA, USA

Popular posts from this blog

“To Be or Not to Be”: The Iconic Speech’s Origins, Interpretations, and Impact

-
Image
By A.C.T. Publications Staff The opening line of Hamlet ’s “To be or not to be” soliloquy is theater’s most iconic, most referenced quote. What’s less known is the famous speech’s history, with Hamlet ’s earliest publications offering varying versions of its language. Also questioned is its meaning—is Hamlet contemplating suicide or is he weighing the consequences of murder? Though definitive answers are unlikely to arise, the questions “To be or not to be” asks have kept audiences, scholars, and actors engaged for centuries. Hamlet ’ s "To be or not to be" speech as it appears in the three original editions of the play. Photo by Georgelazenby. Courtesy Wikimedia Commons. The first edition, or First Quarto (Q1), of Hamlet was published in 1603. Because the text is much shorter than later editions and its language is less poetic, it is nicknamed the “Bad Quarto” by scholars. “To be or not to be” in Q1 reads as: To be, or not to be—ay, there’s the point. To die,
Read more

The American Sound: The Evolution of Jazz

-
Image
By Cecilia Padilla There is nothing so uniquely American as jazz music. In its simplest form, jazz embodies the essence of the American people: bold and inventive. The improvisation of the jazz ensemble can even be seen as a metaphor for the American democratic ideal: musicians playing solos have the liberty to express themselves as long as they adhere to the overall structure of the tune—individual freedom but with responsibility to the group. The evolution of jazz music also carries with it the social development of our nation from slavery to the swinging songs of World War II. Musically, jazz contributed immensely to the way contemporary musicians approach instrumentation, composition, and vocal arrangements. It is difficult to find a popular tune today that does not derive from such jazz icons as Joe Oliver, Louis Armstrong, Duke Ellington, and Thelonious Monk. Jazz is the great equalizer; for more than a hundred years, it has been the common ground between blacks and whites, me
Read more

Purely Pinteresque: The Elements of Pinter's Language

-
Image
By Taylor Steinbeck Most artists take years to establish their voice and style. This wasn’t the case for playwright Harold Pinter. His first West End play, The Birthday Party, showcases the elements of Pinter’s aesthetic that would later be evident throughout his 29 plays and 23 screenplays: the rhythm of colloquial language punctuated by pauses and silences, mysterious characters who rarely say what they mean, and the unsettling, yet witty juxtaposition of comedy and terror. Suspenseful and comical, familiar and foreign, disturbing and alluring, The Birthday Party is quintessential Pinter. Graphite drawing of Harold Pinter. By A.C.T. Senior Graphic Designer Brad Amorosino. Pinter is a playwright who uses the back-and-forth of everyday conversation to create conflict and shape power dynamics between characters. “My characters tend to use words not to express what they think or feel,” said Pinter in a 1995 speech, “but to disguise what they think or feel, to mask their actual
Read more