Showing posts from November, 2011

'A Christmas Carol' signals festive season - get your tickets now

Omoze preparing for her stint as The Ghost of Christmas Present for A Christmas Carol . Photo by Randy Taradash. Ban the humbugs and get into the festive season with the timeless production 'A Christmas Carol' . Sparkling lights on trees, cheerful music in department stores, love this time of year or not, Christmas is fast approaching and A.C.T. is playing its part to usher in the holiday season with A Christmas Carol. The inimitable Ghost of Christmas Present, A.C.T. core acting company member and M.F.A. Program alumna Omozé Idehenre, is getting ready to take Scrooge on the ride of his life. Recently she served as emcee for the grand opening ceremonies in the Safeway Ice Rink at Union Square. Here she welcomes the enthusiastic crowd to the ice rink. Check out the buzz and get your tickets now: here .

Too Much Transparency?

Posted by Carey Perloff, A.C.T. Artistic Director Did you know that A.C.T. Artistic Director Carey Perloff has been blogging for the Huffington Post about issues pertaining to the national theater scene? She recently wrote about the controversy surrounding Arena Stage’s decision not to allow journalists and the general public into their new plays forum, asking some interesting questions about what it means for artists and arts administrators to be transparent about their processes. You can read her latest post here .

Race, Gender, Jury Selection, and David Mamet

Posted by David Newdorf, Business Litigator for Newdorf Legal Effective lawyers understand the limits of juror fairness and their ability to put aside preconceived notions. David Mamet’s play Race , which I saw this week in San Francisco, is a perceptive look at how trial lawyers navigate the unspoken value systems of juries. The play unfolds in a law firm conference room as three criminal defense lawyers brainstorm how to defend their wealthy, white client against charges that he raped a young black woman. Juries are generally good at deciding simple facts: whether a light was red or green, whether a promise was made or broken, whether a statement was misleading. Other cases have hidden landmines for the lawyers. Cases involving issues of race, religion, gender, power, or wealth are traps for the unwary. White cops versus black suspect. White male executive versus young female subordinate. Corporate manager versus Muslim employee. In such cases, the jury deliberations can easily g

"Why Theater?": A Look into Theater of War

posted by Tyler Pugliese, A.C.T. Marketing Fellow A poignant examination of the impact of war upon warriors, Theater of War has riveted audiences across the country. On November 13 and 14, A.C.T. will participate in this incredible event, which includes a dramatic reading of Sophocles’ tragedy Ajax , followed by a town hall discussion featuring a panel of local military community members, including a mental health professional. Admission is free, and reservations are recommended. Click here for details. Marketing Fellow Tyler Pugliese had the opportunity to attend a Theater of War performance in Philadelphia before he started work at A.C.T. “Why theater?” The question echoed in my mind. I wondered how theater could sincerely display the horror and depravation of war. What could theater accomplish that countless other mediums have not? Theater is often illuminated with human connection, while war is fueled by a lack of emotion and inner turmoil. I have participated in theater and hav