Inside A.C.T.

By Annie Sears


As Halloween approaches, the Young Conservatory is preparing something spooky: Lauren Yee’s psychological thriller Hookman. Director Allie Moss, who also serves as A.C.T.’s Literary Manager and Artistic Associate, describes the show as “a slasher comedy about trauma.” It’s a coming-of-age-story for Lexi, who has just moved away to college and experienced some pretty crazy events—like a lunatic running around and slashing girls’ throats. We sat down with Moss to hear about this thrilling and thought-provoking play.

What draws you to this script?

The story centers on a 17-year-old college freshman, and we don’t often see stories with a young woman as the central character. Her story is important, and it’s written in the vernacular of young women. It uses language that often gets dismissed or coded as informal or unimportant. That’s very attractive to me. The script also offers a really interesting perspective on trauma. It explores trauma as something that’s …

By Annie Sears


It’s a big week for the Anderson-Gnapp family. Rod Gnapp is currently performing on The Geary as Stan in Sweat, which closes Sunday. His wife Arwen Anderson will soon grace The Strand as Goodman in Men on Boats, which begins previews tomorrow.

Both Gnapp and Anderson are A.C.T. veterans. You may have seen Anderson most recently in Heisenberg (2018) or Gnapp—a graduate of A.C.T.’s M.F.A. Program—in The Realistic Joneses (2016). They met while working on Magic Theatre’s 2009 production of Mauritius, directed by Loretta Greco, who also directed Sweat. Later that year, they were cast in another play at Magic called Mrs. Whitney. Gnapp started flirting with Anderson—who was playing his character’s fifth wife—during that show, and they’ve been together ever since. Last summer, they performed together in Marin Shakespeare Company’s Hamlet as Gertrude and Claudius, and their four-year-old son Rowan was a consistent rehearsal presence, romping through the outdoor amphitheater as…

By Annie Sears


In crafting this year’s M.F.A. productions, Conservatory Director Melissa Smith promised “a panoply of theater that will challenge and grow our students.” Third-year actors are seeing that promise come to fruition. They recently explored complex, serious characters in Chekhov’s Three Sisters, and next week, they’ll explore a different kind of performance, a performance that doesn’t require a character: musical cabaret.

“Music is so primal,” says Avanthika Srinivasan. “It’s ingrained in our human nature. It’s how we express emotions, communicate, and connect with each other. It’s exciting and nerve-wracking to be emotionally vulnerable, but as actors, we’re always trying to practice being vulnerable.”

“Preparing a cabaret is about coming forward with myself alone,” says Carlos Andrickson. “It’s a very exciting opportunity to show our audiences who I am outside my actor craft.”

Not only will M.F.A. students perform as their authentic selves, but they’ll also perform m…

By Annie Sears

Everyone aboard! We snuck into the first rehearsal for Men on Boats—playing at The Strand from October 17—and got an early look at the cast and creative vision for this subversive and exciting adventure.

Men on Boats follows one-armed, Civil War veteran John Wesley Powell and his team of nine explorers as they traverse the Green and Colorado Rivers, ultimately “discovering” the Grand Canyon. Historically, these expeditioners were white, cisgender [a person whose gender identity is the same as the gender assigned at birth] men. But when the story is mounted on A.C.T.’s Strand stage, the characters will be embodied by a racially diverse cast of female-identifying actors. The script toys with traditional gender conventions, and because the script also contemporizes language and offers opportunities for bold physicality, it does so through comedy.

“You are embarking on bringing to life what I think is a masterful—do we say mistress-ful—play,” said Artistic Director Pam MacKi…

By Annie Sears

Lynn Nottage’s Pulitzer Prize–winning play Sweat—playing through October 21 at The Geary—is set in Reading, Pennsylvania. If you’ve played Monopoly, you know the town. It lends its name to one of the game’s most desirable properties: the Reading Railroad Company, which proved an industrial giant throughout Reading’s history. Whether you’ve already seen Sweat or are planning on seeing it in the next few weeks, here’s a little background information on the town Sweat’s characters call home.

WHERE

Reading is located in the southeastern portion of Pennsylvania, about an hour and a half drive northwest of Philadelphia. Reading sits on the Schuylkill River, which runs all the way to Philadelphia and connects to the Delaware River. Historically, this location proved extremely profitable, as the river made it easy to transport bulk cargo.

WHEN
1748: Reading is founded by Thomas and Richard Penn, the sons of famous English settler William Penn, as in Pennsylvania. They select th…