Behind the Scenes at A.C.T.: An Interview with A.C.T.'s Head of Sound Suzanna Bailey
By Elspeth Sweatman Walking backstage to interview Suzanna Bailey, A.C.T.’s Head of Sound, was like entering a living room on Christmas Eve. New microphones had just come in for A Night with Janis Joplin , and Bailey was excited. Janis is an opportunity for Bailey to return to her roots in sound design. While studying theater in college, she ran sound for a punk band that brought her to the Bay Area. As A.C.T. prepares to rock The Geary like it’s 1967, we caught up with Bailey to talk about running sound for a 1,000-seat theater, collaboration, and sweat-outs. Is there a typical sound setup or is sound different for every single show? For many productions, we use our rep system [the layout of a theater’s main microphones and speakers], and supplement it with specials [sound elements which are required to implement the design for a particular production]. The rep system is built around the idea that you need to be efficient with cost and time as you go from one show ...