Evocation, Inspiration, and Ignition—A.C.T.’s Blood Wedding Brings the Spirit of Duende to Life
by A.C.T. Publications Staff
The spirit of duende, the Spanish term for passion and inspiration, is central to the works of Federico García Lorca. For A.C.T.'s production of Lorca's Blood Wedding, director Christine Adaire and actor Hernán Angulo share their interpretation of duende, and how it influenced their production.
|Federico García Lorca (courtesy of Wikipedia)
Federico García Lorca was obsessed by the spirit of Duende. Duende is one of the most elusive words in the Spanish language. Literally, it means “ghost” or “goblin.” In art, particularly drama, dance, and the music of Flamenco, it refers to the powerful energy emitted by a performer to captivate the audience. Lorca gave a lecture in Buenos Aires in 1933 in which he described duende as “a force, not a labor, a struggle, not a thought,” “the mystery, the roots that cling to the mire we all know,” and “a creature who sweep[s] the earth with its wings of rusty knives.” It is not based in reason or the intellect, it “surges up from the soles of the feet.”
Blood Wedding was inspired by a true story of a fatal feud between two families in Almería, high in the mountains of Southern rural Spain. It is a fierce play, written in only a week, in a frenzy of inspiration. Death, violence, pride, lust, and love are explored in a breathless race to a tragic end. In this production, we’ve introduced two Flamenco dancers who embody the spirit of duende. Their passion and relentless rhythm guide us through the story.
—Christine Adaire, Blood Wedding director and A.C.T. faculty member