It Wasn’t a Party—It Was a Riot

-
By Beryl Baker and Livian Yeh

San Francisco Pride is turning 50 this year amid a global pandemic and worldwide protests against police brutality and systemic racism. In response to questions about the upcoming virtual celebration and rally, San Francisco Pride board president Carolyn Wysinger expressed support of the protesters and highlighted the especially vulnerable Black trans community. “Stonewall was started by a Black trans woman. Stonewall was a defense of Black bodies,” says Wysinger. “In honor of this, San Francisco Pride will use this moment to lift up and center our Black LGBTQ+ community members.” The woman Wysinger referred to was Marsha P. Johnson, a Black transgender activist and performer credited with throwing the first brick at Stonewall. As the saying goes, Pride didn’t start as a party—it was a riot, and members of the LGBTQ+ community have long fought back against police harassment and discrimination. 

Photo courtesy of Wikipedia Commons.

According to the Human Rights Campaign, the transgender and gender nonconforming community are especially vulnerable against fatal violence. In 2019, advocates from the organization tracked at least 27 deaths of transgender or gender nonconforming people in the United States, and found the victims were mostly Black transgender women. In 2020, at least 15 transgender or gender nonconforming people have been killed by violent means.

The more invisible we make a community, the more vulnerable they become. At A.C.T., we understand the power of the arts in challenging perspectives, bringing unheard voices to the forefront, and uplifting those who have been most vulnerable. We also know the arts and media can just as easily uphold stereotypes, exclude voices, and make light of historical trauma. Representation literally saves lives, and here is a list of Black trans artists and arts organizations you can support: 

Artists and citizens alike have the power to break the cycle of Othering and bring underrepresented voices to the forefront. As Marsha P. Johnson said, “You never completely have your rights, one person, until you have all your rights.” 

Popular posts from this blog

“To Be or Not to Be”: The Iconic Speech’s Origins, Interpretations, and Impact

-
Image
By A.C.T. Publications Staff The opening line of Hamlet ’s “To be or not to be” soliloquy is theater’s most iconic, most referenced quote. What’s less known is the famous speech’s history, with Hamlet ’s earliest publications offering varying versions of its language. Also questioned is its meaning—is Hamlet contemplating suicide or is he weighing the consequences of murder? Though definitive answers are unlikely to arise, the questions “To be or not to be” asks have kept audiences, scholars, and actors engaged for centuries. Hamlet ’ s "To be or not to be" speech as it appears in the three original editions of the play. Photo by Georgelazenby. Courtesy Wikimedia Commons. The first edition, or First Quarto (Q1), of Hamlet was published in 1603. Because the text is much shorter than later editions and its language is less poetic, it is nicknamed the “Bad Quarto” by scholars. “To be or not to be” in Q1 reads as: To be, or not to be—ay, there’s the point. To die, ...
Read more

The American Sound: The Evolution of Jazz

-
Image
By Cecilia Padilla There is nothing so uniquely American as jazz music. In its simplest form, jazz embodies the essence of the American people: bold and inventive. The improvisation of the jazz ensemble can even be seen as a metaphor for the American democratic ideal: musicians playing solos have the liberty to express themselves as long as they adhere to the overall structure of the tune—individual freedom but with responsibility to the group. The evolution of jazz music also carries with it the social development of our nation from slavery to the swinging songs of World War II. Musically, jazz contributed immensely to the way contemporary musicians approach instrumentation, composition, and vocal arrangements. It is difficult to find a popular tune today that does not derive from such jazz icons as Joe Oliver, Louis Armstrong, Duke Ellington, and Thelonious Monk. Jazz is the great equalizer; for more than a hundred years, it has been the common ground between blacks and whites, me...
Read more

A Hell of a Businessman: A Biography of Joe Glaser

-
By Simon Hodgson Born in 1897, Joe Glaser was the son of a successful Russian Jewish physician in Chicago. He originally intended to follow a similar career and entered medical school, but after passing out in the operating room, he realized he wasn’t cut out to be a doctor. He started off in business selling used cars, but found better luck managing prizefighters. In his biography of Al Capone, Laurence Bergreen notes, “Glaser’s power to fix fights earned him a reputation as a sage of boxing, especially among reporters.” With advanced word as to which fights were fixed, Glaser could predict the results—and even the number of rounds—of many bouts in Chicago. His connections with organized crime continued in his next career change, when he began running nightclubs and whorehouses in the South Side for the Chicago Outfit, the powerful underworld gang led by Capone. Glaser’s tendency toward illegal action nearly ended his career. In 1928, he was sentenced to ten years in prison for ...
Read more