Comedian Colin Quinn to Deliver Laughs @TheStrand

-
By A.C.T. Publications Staff

In need of some laughs to ease the stress of this holiday season? Funnyman Colin Quinn has got you covered. The former Saturday Night Live cast member will be bringing his latest one-man show, One in Every Crowd, to A.C.T.’s Strand Theater for five performances running from December 14–17.

Artwork for Colin Quinn: One in Every Crowd.
Quinn’s appearance at The Strand will be his only West Coast stop during his 2017–18 North American tour, which will have him performing across the US and Canada. The New York native is returning to the road after taking a seven-year break to write and perform comedy shows for Broadway audiences. His most recent show, The New York Story, was directed by Jerry Seinfeld and was released on Netflix in 2016. To get a feel for Quinn’s unique brand of comedy, take a look at the trailer for his Netflix stand-up special below.


Equipped with razor-sharp wit and an eye for observational humor, Quinn’s smart jokes and engaging stories are sure to entertain. This season Quinn isn’t the only acclaimed comedian performing in A.C.T.’s @TheStrand series. Three-time Emmy Award winner Louie Anderson will also be presenting a limited engagement this January. With these two comics coming to The Strand this winter, San Francisco is about to be served up some serious laughs.

Colin Quinn: One in Every Crowd runs December 14–17 at A.C.T.’s Strand Theater, 1127 Market Street. Click here to purchase tickets through our website.

Popular posts from this blog

“To Be or Not to Be”: The Iconic Speech’s Origins, Interpretations, and Impact

-
Image
By A.C.T. Publications Staff The opening line of Hamlet ’s “To be or not to be” soliloquy is theater’s most iconic, most referenced quote. What’s less known is the famous speech’s history, with Hamlet ’s earliest publications offering varying versions of its language. Also questioned is its meaning—is Hamlet contemplating suicide or is he weighing the consequences of murder? Though definitive answers are unlikely to arise, the questions “To be or not to be” asks have kept audiences, scholars, and actors engaged for centuries. Hamlet ’ s "To be or not to be" speech as it appears in the three original editions of the play. Photo by Georgelazenby. Courtesy Wikimedia Commons. The first edition, or First Quarto (Q1), of Hamlet was published in 1603. Because the text is much shorter than later editions and its language is less poetic, it is nicknamed the “Bad Quarto” by scholars. “To be or not to be” in Q1 reads as: To be, or not to be—ay, there’s the point. To die,
Read more

The American Sound: The Evolution of Jazz

-
Image
By Cecilia Padilla There is nothing so uniquely American as jazz music. In its simplest form, jazz embodies the essence of the American people: bold and inventive. The improvisation of the jazz ensemble can even be seen as a metaphor for the American democratic ideal: musicians playing solos have the liberty to express themselves as long as they adhere to the overall structure of the tune—individual freedom but with responsibility to the group. The evolution of jazz music also carries with it the social development of our nation from slavery to the swinging songs of World War II. Musically, jazz contributed immensely to the way contemporary musicians approach instrumentation, composition, and vocal arrangements. It is difficult to find a popular tune today that does not derive from such jazz icons as Joe Oliver, Louis Armstrong, Duke Ellington, and Thelonious Monk. Jazz is the great equalizer; for more than a hundred years, it has been the common ground between blacks and whites, me
Read more

A Hell of a Businessman: A Biography of Joe Glaser

-
By Simon Hodgson Born in 1897, Joe Glaser was the son of a successful Russian Jewish physician in Chicago. He originally intended to follow a similar career and entered medical school, but after passing out in the operating room, he realized he wasn’t cut out to be a doctor. He started off in business selling used cars, but found better luck managing prizefighters. In his biography of Al Capone, Laurence Bergreen notes, “Glaser’s power to fix fights earned him a reputation as a sage of boxing, especially among reporters.” With advanced word as to which fights were fixed, Glaser could predict the results—and even the number of rounds—of many bouts in Chicago. His connections with organized crime continued in his next career change, when he began running nightclubs and whorehouses in the South Side for the Chicago Outfit, the powerful underworld gang led by Capone. Glaser’s tendency toward illegal action nearly ended his career. In 1928, he was sentenced to ten years in prison for
Read more