Meet the cast of "Dead Metaphor": Rebekah Brockman

-
Meet Rebekah Brockman, who plays Jenny Trusk in Dead Metaphor.

Rebekah Brockman
Dead Metaphor runs through March 24.
Learn more about the production and order tickets.

Rebekah Brockman as Jenny Trusk and George Hampe as Dean Trusk in Dead Metaphor. Photo by Kevin Berne.
What are your preshow/postshow rituals? 
Preshow: Warm-up, spray on a bit of my mother's perfume (I never set foot onstage without it on), and then watch the first scene from the wings.
Postshow: Beer and Sleep!

What are your favorite things about San Francisco?
The history, the architecture, and the ocean when the fog comes in.

If you weren't an actor, what would you be? 
Realistic Answer: A director.
Fantasy Answer: A BASE Jumper.

What was your most memorable job interview/audition?
I recently had a callback for a role and one of my mentors was auditioning for the same play. She offered to come in and read with me for.my audition. It was extremely gracious of her and put me at ease in the room. I booked the job. I believe that the established people who put their name on the line for the younger generation and support them, are the people worth following. It is a moment that I want to pay forward to the generation after me.

What is your favorite moment in Dead Metaphor?
I love watching Sharon Lockwood run "in character" and I have to stifle laughter every time Anthony makes his entrance on the bike (well, Anthony's bike scene in general).

Which character do you identify with the most?
Jenny, first and foremost. But also aspects of Frannie and Hank.

Where do you see yourself in five years?
BASE Jumping.
Location: San Francisco, CA, USA

Popular posts from this blog

“To Be or Not to Be”: The Iconic Speech’s Origins, Interpretations, and Impact

-
Image
By A.C.T. Publications Staff The opening line of Hamlet ’s “To be or not to be” soliloquy is theater’s most iconic, most referenced quote. What’s less known is the famous speech’s history, with Hamlet ’s earliest publications offering varying versions of its language. Also questioned is its meaning—is Hamlet contemplating suicide or is he weighing the consequences of murder? Though definitive answers are unlikely to arise, the questions “To be or not to be” asks have kept audiences, scholars, and actors engaged for centuries. Hamlet ’ s "To be or not to be" speech as it appears in the three original editions of the play. Photo by Georgelazenby. Courtesy Wikimedia Commons. The first edition, or First Quarto (Q1), of Hamlet was published in 1603. Because the text is much shorter than later editions and its language is less poetic, it is nicknamed the “Bad Quarto” by scholars. “To be or not to be” in Q1 reads as: To be, or not to be—ay, there’s the point. To die,
Read more

The American Sound: The Evolution of Jazz

-
Image
By Cecilia Padilla There is nothing so uniquely American as jazz music. In its simplest form, jazz embodies the essence of the American people: bold and inventive. The improvisation of the jazz ensemble can even be seen as a metaphor for the American democratic ideal: musicians playing solos have the liberty to express themselves as long as they adhere to the overall structure of the tune—individual freedom but with responsibility to the group. The evolution of jazz music also carries with it the social development of our nation from slavery to the swinging songs of World War II. Musically, jazz contributed immensely to the way contemporary musicians approach instrumentation, composition, and vocal arrangements. It is difficult to find a popular tune today that does not derive from such jazz icons as Joe Oliver, Louis Armstrong, Duke Ellington, and Thelonious Monk. Jazz is the great equalizer; for more than a hundred years, it has been the common ground between blacks and whites, me
Read more

A Hell of a Businessman: A Biography of Joe Glaser

-
By Simon Hodgson Born in 1897, Joe Glaser was the son of a successful Russian Jewish physician in Chicago. He originally intended to follow a similar career and entered medical school, but after passing out in the operating room, he realized he wasn’t cut out to be a doctor. He started off in business selling used cars, but found better luck managing prizefighters. In his biography of Al Capone, Laurence Bergreen notes, “Glaser’s power to fix fights earned him a reputation as a sage of boxing, especially among reporters.” With advanced word as to which fights were fixed, Glaser could predict the results—and even the number of rounds—of many bouts in Chicago. His connections with organized crime continued in his next career change, when he began running nightclubs and whorehouses in the South Side for the Chicago Outfit, the powerful underworld gang led by Capone. Glaser’s tendency toward illegal action nearly ended his career. In 1928, he was sentenced to ten years in prison for
Read more