By Dramaturgical Publications Fellow Shannon Stockwell Outside a closed American Red Cross in London, 1946, Mr. Chad asks, "Wot, no Yanks?" In Underneath the Lintel , playwright Glen Berger emphasizes the singularly human need inside all of us to leave a mark on the world, something that will endure long after our inevitable deaths. One of the ways in which he discusses this need is through graffiti—the unsanctioned, uncensored defacement of public property—and few examples of graffiti have ever reached quite such a memetic status as a little man called Kilroy. Kilroy is a simple cartoon drawing, a man seen peeking over what appears to be a wall with the words "Kilroy was here" next to it. He seems to have originated and became popular during World War II, appearing in unusual places, including the top of the Statue of Liberty. A famous tale claims that in July 1945, during the Potsdam Conference to discuss the end of World War II, Stalin had the us
